I have created a rough draft of my production company logo using Photoshop.
Friday, 27 November 2015
Equipment Checklist
Below is my Equipment Checklist, listing all of the equipment I will be using throughout this process.
Production Diary (25/11/2015)
Filmed secondary interview on Sunday and the main interview today, leaving only additional shots and establishing introduction shots needed before editing.
Friday, 20 November 2015
Pre-Production Diary 3 (20/11/15)
Today I have created a short shot list for the introduction of my documentary only. I have not included any details of interview shots as it will be difficult to predict how these shots will go. I have also created flat plans in preperation for creating my ancillary tasks (Newspaper Advertisement and A TV listings magazine double page spread).
Shot Plan for introduction
I have created a short shot plan document for the introduction of my documentary.
Shot list from JCRstudent
Ancillary Task Flat Plans
I have created two flat plans for my ancillary tasks (TV Listings magazine double page spread and Newpaper advertisement).
| I have decided to use a basic, clear layout for my TV listings magazine double page spread with only one image as the majority of my documentary will feature interviews only. |
| Going from the advertisements that I researched and deconstructed I found that having one main stand out image was the most impactful way of creating a newspaper advertisement. |
Wednesday, 18 November 2015
Pre-Production Diary 2 (18/11/2015)
I have booked equipment such as a camera and tripod so that I can begin filming my first interview this weeked. In perperation for this I have also finalized my interview questions and ensured I have a permission document ready for my interview subject.
| Cast permission document |
| Requesting the equipment in preperation for filming |
Interview Questions
My interview questions are featured below, although I would like to have an unstructured aspect to my interviews allowing me to expand on what my subject may say.
Friday, 13 November 2015
Music Permissions
I have requested the permission to use "The Streets - Stay Positive" from Warner Music Group and "The Jimi Hendrix Experience - All Along The Watchtower" from Sony Music Entertianment. My requests are pictured below.
Pre-Production Diary 1 (13/11/2015)
I used my time in this session to research music to be featured in my documentary and requested the permission from the various record labels and artists.
The first track that I have decided to use is an instrumental version of "The Streets - Stay positive." I chose this track as it provides a slow hip hop beat for the introduction of my documentary.
The second track I have decided to use is "The Jimi Hendrix Experience - All Along the Watchtower" for the background music needed throughout the documentary.
The first track that I have decided to use is an instrumental version of "The Streets - Stay positive." I chose this track as it provides a slow hip hop beat for the introduction of my documentary.
The second track I have decided to use is "The Jimi Hendrix Experience - All Along the Watchtower" for the background music needed throughout the documentary.
Wednesday, 11 November 2015
Production Schedule
Production Schedule
Week Commencing:
16/11/15 - Complete pre-production documentation (Cast
permissions, music permission, and equipment checklist, risk assessment), Begin
filming initial shots.
23/11/15 – Finalise interview questions, Begin filming first
interview, create flat plans for ancillary tasks.
30/11/15 – Film second interview and establishing shots.
7/12/15 – Finalize filming additional shots, photos for
ancillary tasks. Continue work on ancillary tasks.
14/12/15 – finalize work on ancillary tasks, rough
production logo.
21/12/15- finalize production logo
28/12/15- Begin editing.
4/1/16- Editing.
11/1/16 – finalize editing, upload.
16/1/16 – finalize any remaining work or uploads.
Advanced Portfolio Pitch and Audience Feedback
I created a pitch discussing and explaining my planned docmentary. This pitch included how my documentary will look, my survey feedback, the equipment I will use and the purpose and idea behind the documentary. The audience then gave me feedback and suggestions on my pitch and documentary.
The Documentary Pitch from JCRstudent
Audience Feedback
My audience research has been mainly positive. The angle of "humanising immigration" was highlighted as being a strong part of the pitch. Most feedback points towards the interviews being the most important part of the documentary. In terms of suggestions of improvement I have taken into consideration the inclusion of music (Which I missed out of the initial pitch) and the use of a two camera interview setup to have more options when editing my footage.
Audience Feedback
My audience research has been mainly positive. The angle of "humanising immigration" was highlighted as being a strong part of the pitch. Most feedback points towards the interviews being the most important part of the documentary. In terms of suggestions of improvement I have taken into consideration the inclusion of music (Which I missed out of the initial pitch) and the use of a two camera interview setup to have more options when editing my footage.
Friday, 6 November 2015
Movng image planning document
Media Production
Moving Image planning document
What emotional impact do you want your filming do have upon
the reader? How?
I would like my documentary to have a positive emotional
impact on my audience with them coming away feeling as if they have a deeper
insight into the human side of immigration rather than the negative statistics
pushed by mainstream media. I will do this by interviewing immigrants that are
living in the UK so that they can tell their story and connect with the British
public.
What personnel do you need? Who are you going to film?
The only personnel for my documentary I will need are my
interview subjects and myself. I am hoping to interview a minimum of three
people with a focus on one main interview for the 5 minute clip.
What props will you need?
I won’t need any specific props as my documentary focuses on
the real life of my interview subjects. If they own any items that are relevant
to the interview then they may feature in the documentary.
Have you briefed your personnel/models?
I have briefed my interview subjects on the topic of the
documentary and the nature of the interview questions. All of them are happy to
participate and satisfied with the nature of the documentary.
What lighting will you need? Any other equipment?
I will only potentially need a minimal amount of lighting to
illuminate the faces of my interview subjects if we are filming in an area with
low lighting. Other equipment needed will be a camera.
Where will you shoot? Will you need a backdrop?
I will shoot in locations that are relevant to the life of
the interview subjects and locations the interview subjects are comfortable in.
I will also be filming establishing shots around Newcastle City Centre as this
is where my documentary will take place.
Wednesday, 4 November 2015
Ancillary Task Deconstructions 2
TV listngs magazines double page spreads
1. The Road to Rio
This double page spread featured in a TV listings magazine
is promoting “Road to Rio”, a documentary focusing on TV personalities Mark
Watson and Henning when taking a trip across South America and investigating
the continent’s footballing heritage. The layout of this double page spread
consists heavily of images with a main body of text on the left hand side of
the page and text boxes describing the images. The article uses emboldened font
to put emphasis on the word Brazil and the names of both the presenters. It is
clear that this has been done to catch the attention of the reader allowing
them to read the most important information before reading the entire article.
The images as well as the yellow font and image of South America in the
background makes this article radiant with colour; this may be in reference to
the “colourful” continent of South America. The article also uses red boxes and
titles as this is the house style of the TV listings magazine.
Each image is also in reference to a country visited in the
documentary, giving the audience a greater insight into what in included and
why they should watch it. The rather understated white and black text included
in the main article and supporting image paragraphs makes the images and
colours stand out even more within the article, ensuring readers stop to read
the article. The main strapline “Footie-mad comedians Mark Watson and Henning
Wehn take a road trip across South America" hints as to the football theme
within the documentary but doesn’t give much away in terms of the content of
the documentary. This football theme is continued with an image of the world
cup accompanying the strapline with other small images of footballers
accompanying the main images of each country based paragraph.
2. The Vampire Diaries
This double page spread from a TV listings magazine focuses
on the release of a new fantasy drama “The Vampire Diaries” on ITV2. The
background and colour scheme of the double page spread, although being dark
shades of colour, is extremely eye catching much like the previous
deconstructed spread. This use of colour is due to the highly image focused
spread with a background image including the three main characters, a small
image of a scene from the show and a separate image of five of the main
characters. The additional red, yellow and white colour scheme used for text
and text boxes is the house style of the magazine but it also contrasts well
with the dull tones of the background Image.
The main strap line “blood brothers” is in large font with
“blood” being emboldened. This strapline directly links with the featured image
and alludes to the plot of the show whilst being clearly the most visible from
the rest of the text due to its size. The text below this in the house style
white font “Two vampire siblings compete for a beautiful young woman in a new
supernatural romance” sums up the plot perfectly in one line giving the reader
all the information needed to accompany the main centre image. “New
supernatural romance” is also in emboldened font as it clearly outlines the
genre of the show to the reader.
This double page spread although not for documentary still
follows many of the conventions of a documentary double page spread in a TV
listings magazine. In comparison with the “Road to Rio” double page spread both
articles are heavily imaged based, this is because they both intend to convey
the plot or themes of these new TV shows. Both articles also focus on the fact
that the shows are new with the inclusion of “This week on TV” in the top left
corner of both. The imaged based articles also both use stand out colours and
emboldened font to spark the interest of the reader.
3. One Born Every Minute
This final double page spread is for the documentary series
“One Born Every Minute” on Channel 4. The layout of this double page spread is
clearly a more conventional magazine layout with one main image filling the
left hand side of the spread and a main body of text on the right hand side.
The colour scheme of the text is less stand out in comparison to the previous
double page spreads with it being black and white. The only colour comes from
the single main image. This double page spread also makes use of the
conventional drop caps unlike the previous two deconstructions as well as the
inclusion of a quotation from a subject of the documentary. The title and
essential information such as the channel and time the documentary will be
aired is featured in the same size and font as the main body of text, meaning
that it doesn’t stand out against the rest of the text as the essential
information in the previous two deconstructions did.
The main image is
accompanied by the main strapline in emboldened font “special delivery”. This
strapline again like the previous double page spreads serves to convey the
themes of the show and add depth to the purpose of the chosen main image.
Another similarity to the previous deconstructed spreads is the use of the text
below the main strapline, “Meet Kim and Maria, the professional, caring and
opinionated midwives at Southampton’s Princess Anne Maternity Hospital.” A
sentence such as this has been used in all three double page spreads to give
additional information to the reader and set the scene for the show. The use of
the phrase “opinionated midwives” also gives the impression that there may be
added drama provided by the midwives who are the main focus of the documentary
series.
In conclusion after deconstructing three double page spreads
from TV listings magazines I have understood the conventions and techniques
used and needed to create a successful TV listings magazine double page spread.
All three of the deconstructed spreads feature a strong main image that is
relevant to the documentary providing a visual aid to accompany the main bodies
of text. Both “Road to Rio” and “The Vampire Diaries” also featured smaller
images that gave additional information about the themes of the TV show or the
characters and subjects involved. I will feature both of these image styles in
my double page spread. Having an eye-catching colour scheme with text also
stands out as important as the “One Born Every Minute” double page spread with
black and white colour scheme stands out less and it is more difficult to
identify the essential information. Finally including a bold strapline that is
relevant to the themes of the show brings the double page spread together
giving the audience an insight into the article before they read the main body of
text.
Ancillary Task Deconstructions 1
Newspaper Advertisements
1. Honey I bought the house

This is a newspaper advertisement for a documentary series
“Honey I bought the house” set to air on “Watch”. The golden yellow background
in contrast with the purple jumper worn by the model in this large image
focused advertisement stands out on the black and white house style of
newspapers in general. The shocked, wide eyed expression worn by the model
gives an initial hint to the possible shocking nature of the documentary.
The minimal white
text featured in this advertisement reinforces the focus on the main image of
the model. The emboldened font used for the title of the documentary ensures
that this is the next most likely aspect of the advertisement to draw the
attention of the reader. The title can be considered a part of the essential
information of the advertisement as well as the channel it is to be shown on
and the time, both of which are featured on the bottom of the advertisement
standing out in contrast with the purple of the jumper. The strap line featured
above the bold title reads “Would you trust your partner with the biggest
decision of your life?” this serves to give the audience an insight into the
subject of the documentary series, with the use of a rhetorical question this
leaves the audience wanting to know the answer or asking themselves the
question. The final line of text below the title, “An original series from
UKTV” may elude to the style of the documentary series to those who are
familiar with UKTV programming.
2. China's Stolen Children
This newspaper advertisement is for a “Dispatches Special:
China’s Stolen Children” documentary on Channel 4. Much like the previous
“Honey I bought the house” advertisement, this ad again is focused largely on
one main image with less text than “Honey I bought the house”. The large almost panoramic image of the Great
Wall of China with images of missing children posted across it sets the scene
for the documentary and coveys the subject of the documentary very well. This
means the lack of text isn’t a negative with this image having a less vague
subject matter than the previous advertisement’s shocked model therefore
needing less text.
In terms of text this advertisement only features the
essential information such as the name of the documentary and the time and date
it will be aired. The channel 4 logo is also featured on the right hand side of
the advertisement adding to the visual focus on the feature. The reason for the
difference in the amount of text included and lack of straplines in comparison
to “Honey I bought the house” may be down to the serious nature of the
documentary rather than it being a reality or entertainment series. The
striking image of China’s most recognisable landmark shrouded in darkness with
the posters of missing children is enough to achieve the desired effect of
shock or intrigue.
3.Life after armageddon and other
The final documentary newspaper advertisement is for 5
different documentaries shown on Channel 5 with a focus on the largest featured
image for the documentary “Life after Armageddon”. This advertisement is unique
in comparison to the previous two advertisements due to the inclusion of 5
images advertising 5 documentaries, the 5 panel image style may have been used
to reference channel 5. These featured images also differ from the previous two
advertisements as they are all stills taken from the documentaries rather than
staged photoshoots. Uniquely a colour scheme is also included in this
advertisement of right and white reflecting the channel 5 logo that is also
included in the centre as well as the essential information for the featured
documentary “Life after Armageddon.” Essential information for each documentary
is also included under each still photo.
Like the “Honey I
bought the house” advertisement this ad also includes a strapline “Get your 5 a
day!” This generalised strapline gives no insight into the themes of the 5
documentaries and leaves the still photos to convey these themes. The strapline
also continues with references to channel 5 continuing the theme of 5’s.
Reiterating this 5 theme makes it very clear to the audience of the channel
these documentaries will be featured on but with the 5 images this
advertisement falls down in terms of specific information about each
documentary.
In conclusion it is clear that a strong image is paramount
in creating a successful documentary newspaper advertisement. The image needs
to be striking with a clear message as this is where the final advertisement
fell down. Minimal text with essential information and a clear strapline that
outlines the theme of the documentary is also important as it keeps the focus
on the image as well as informing the audience of what they need to know about
the documentary. I am going to incorporate what I have learnt from
deconstructing these three advertisements into my ancillary task to ensure it
is as professionally presented as possible.
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